>Interview, Excerpt & Giveaway with Catherine Ryan Hyde!!
She is giving away 3 copies of DON’T LET ME GO along with 3 custom handmade bookmarks pictured below today! Simply leave a comment or questions to enter.
Catherine and I live in the same area of California and met about a decade ago when Catherine gave a small, private course on writing. I don’t remember how I found the class and I didn’t know who Catherine was at the time, but it must have been fate, because Catherine gave me my first solid footing in writing fiction, a footing that has everything to do with how far I’ve come.
Catherine taught me how to write a query letter and synopsis and went on to show me how to immediately grab a reader and then hold their attention through the pages, and even after trying various other styles, I always came back to Catherine’s teachings because they were solid, smart and savvy. Catherine’s instruction along with her industry knowledge was the foundation for the connection I made with my current agent and my first sale to an editor.
Moving forward, Catherine continued to inspire authors with occasional courses on craft-related topics and a “support-group” of sorts where authors from the area would get together and share their recent accomplishments or disappointments and talk over industry topics or problems. While I was in her class and mentioned my then-6th grader’s love of reading, Catherine arranged a visit to her class at the local elementary school to discuss writing. She has always been endlessly generous with her time, knowledge and experience.
Her writing is both poignant and breathtakingly real, her characters starkly realistic, her conflict biting and complex. I am particularly awed by her stellar craft in all aspects of storytelling and prose. If you haven’t read Catherine’s work, you haven’t witnessed raw, emotional storytelling at its finest.
I can’t say I’ve ever had someone I’ve considered a hero, nor have I ever admired any particular societal icon, but when it comes to writing, I’d definitely consider Catherine Ryan Hyde my mentor. And I’m thrilled to have her here today.
Ten year old Grace knows that her mum loves her, but her mum loves drugs too. There’s only so long Grace can fend off the ‘woman from the country’ who is threatening to put her into care. Her only hope is…
Grown-man Billy Shine hasn’t left his apartment in years. People scare him. And so day in, day out, he lives a perfectly orchestrated, silent life within his four walls. Until…
Grace bursts into Billy’s life with a loud voice and a plan to get her mum clean. But it won’t be easy. Because they have to take away the one thing her mum needs most…Grace.
Catherine, tell us about your upcoming release, DON’T LET ME GO.
Don’t Let Me Go is the story of Grace, a 10-year-old girl whose mother has fallen deeply into drug addiction. Grace is almost entirely unsupervised when we meet her. She lives in a run-down, six-unit apartment house in a bad section of L.A., and she’s about to end up in the foster care system. Except one of her five neighbors, Rayleen, had some bad experiences in foster care. And she makes up her mind that Grace is not going there. And she pulls everyone else in the apartment house together to make sure nothing bad happens to the girl. And these are not the kind of people who would otherwise have been pulled together. They’re the kind of people who seem destined to live their lives apart. Even Billy gets involved, the neighbor no one besides grace has ever met, or even seen. Because he doesn’t go outside. And he doesn’t talk to people. And he doesn’t have a life, because he’s afraid of life. But Grace gets in where no one else can. And these five really disparate people team up to save Grace, but Grace saves them. Even though they didn’t exactly know they needed saving. But, looking back, it seems pretty clear.
What creates the biggest conflict between your hero and heroine?
I love this question, because I get to make a hero and a heroine out of a 10-year old girl and an agoraphobic ex Broadway dancer. But that’s Grace and Billy.
The biggest conflict between them comes in the form of Billy’s neuroses. Grace wants—needs—him to do these things that seem so basic to her. Like go outside. And much as she loves him, it’s hard for her to be patient with his shortcomings. But in time she learns to accept him more or less the way he is, though she never pulls any punches about the fact that she finds him weird. Well, most people would find him weird. But Grace doesn’t really mean it as an insult, which is why it works.
I just love exploring this oddball type of relationship. I love bonds between characters who become family even when they’re not related by blood. I love it even more when they’re not related by much of anything.
I like to explore non-sexual bonds, because they tend to be far quirkier. We know why people are drawn together if the people are two consenting adults. It’s a pull we all understand. But what forms a bond between two people like Billy and Grace? As a novelist, questions like that one give me a lot to explore.
Is there a message in this novel that you want readers to grasp?
The obvious novel (Pay It Forward) aside, I really try not to have any particularly overt messages in my work. I don’t want to be too didactic or appear to preach. I think it’s the novelist’s job to entertain, rather than teach. But, now, here’s the catch. I think it’s great when the reader learns something about the human condition from one of my novels. But I don’t want to be seen as teaching.
An old writing mentor of mine once said (regarding flashbacks, which many feel are to be avoided), “If you have to use a flashback, by all means do so, but don’t get caught.” I think that’s the point I’m trying to make about message. I want the reader to feel they discovered something in my books, not that I tried to force-feed it.
That said…I think the point I was trying to make in Don’t Let Me Go is that fear keeps us alone. But we need each other. It’s so easy to avoid each other, because it’s so complicated to deal with people. So fraught with emotional and logistical landmines. But what we lose in being alone is so much greater than the trouble we avoid. It’s the kind of lesson that could go right over the head of a grownup, while a 10-year-old kid could grasp it easily.
How do you keep in touch with your readers?
Any way I can. Any way they want me to. I have my email address on my website. And it’s my actual address. The mail comes to me, and only to me. I don’t have an assistant weeding these out for me. I just like to hear from readers. So I correspond with readers fairly regularly by email. And of course there’s Twitter and Facebook, and that’s another way readers and I can interact.
What are you reading now?
Second Nature by Jacqueline Mitchard.
What would you like to tell readers?
That it’s not a line when I say I like to hear from readers. I really do. It makes this a far less solitary profession. I love to hear what readers did and did not like about the books. I love it when people tell me favorite lines. I love it even more when they tell me about their own life experience as it relates to what they read. It means a great deal when relative strangers give me pieces of themselves like that. It has value.
I also want to tell readers to never judge a book by its movie.
Where can we find you online?
My website: www.catherineryanhyde.com
My blog: http://www.catherineryanhyde.com/blog/
Facebook profile: https://www.facebook.com/crhyde
Facebook author page: https://www.facebook.com/pages/Catherine-Ryan-Hyde/55974126195
I could go on, but…I’m guessing, armed with that, you’ll find me.
Here’s an excerpt from DON’T LET ME GO:
“Who brought you home from school?” he asked Grace.
“That’s about as good as it gets.”
“That takes energy, too.”
Each with a custom bookmark
Her newest releases are Jumpstart the World (Knopf, Fall 2010) and Second Hand Heart (Transworld UK, Fall 2010). Forthcoming is Don’t Let Me Go (Transworld UK, Spring 2011) and When You Were Older (Transworld UK, Fall 2011).
Newer novels are Becoming Chloe (Knopf, 2006), Love in the Present Tense (Doubleday, 2006), The Year of My Miraculous Reappearance (Knopf, 2007), Chasing Windmills (Doubleday, 2008), The Day I Killed James (Knopf, 2008), Diary of a Witness (Knopf, 2009), and When I Found You (Transworld UK, 2009).
Both Becoming Chloe and Jumpstart the World were included on the ALA’s Rainbow List. Jumpstart the World was chosen as a finalist for two Lambda Literary Awards. Love in the Present Tense enjoyed bestseller status in the UK, where it broke the top ten, spent five weeks on the national bestseller list, was reviewed on a major TV book club, and shortlisted for a Best Read of the Year award at the British Book Awards.
Older works include the story collection Earthquake Weather, and the novels Funerals for Horses, Pay it Forward, Electric God, and Walter’s Purple Heart.
Pay It Forward was adapted into a major motion picture, chosen by the American Library Association for its Best Books for Young Adults list, and translated into more than 23 languages for distribution in over 30 countries. The mass market paperback was released in October 2000 by Pocket Books and quickly became a national bestseller. It is still in print, and was rereleased in a trade paperback edition in April of 2010.
More than 50 of her short stories have been published in The Antioch Review, Michigan Quarterly Review, The Virginia Quarterly Review, Ploughshares, Glimmer Train, The Sun and many other journals, and in the anthologies Santa Barbara Stories and California Shorts and the bestselling anthology Dog is my Co-Pilot. Her stories have been honored in the Raymond Carver Short Story Contest and the Tobias Wolff Award and nominated for Best American Short Stories, the O’Henry Award, and the Pushcart Prize. Three have been cited in Best American Short Stories.
She is founder and former president (2000-2009) of the Pay It Forward Foundation. As a professional public speaker she has addressed the National Conference on Education, twice spoken at Cornell University, met with Americorps members at the White House and shared a dais with Bill Clinton.