Back to topics

 

Prevalence of Horror and Violence in Media

Has anyone else noticed how prevalent violence has become in media over the last year or so (or more)?

This may seem like a strange subject for me to cover considering I write romantic suspense and have been focused on creating the eeriest, coldest, evilest villains my good-little-girl brain can come up with.  But, I've been noticing my own intolerance for gritty violence more and more lately.

I picked up a book CD at the library a couple days ago--Darkly Dreaming Dexter. It's about a serial killer who kills serial killers.

Damn. Why didn't I think of that?

The idea intrigued me. I wanted to see how this author made it work. I wanted to see how a serial killer protagonist would turn out. I wanted to see how many rules the author broke and chuckle to myself with knowing chagrin when I could identify every one.

I figured it would be pretty good considering the reviews and comments on the container, and it lived up to my expectations--which, now-a-days, is pretty dang hard to do. Writing has ruined me as a reader (although I still read and am trying to read more often).

If you don't mind a sick and twisted read, I'd recommend it. Entertaining, dark humor, three dimensional characters, even a protagonist who's part villain, one you have to both root for and admire all while realizing he is one sick bastard.

And while the book was quite graphic, stomach-turning in places, it wasn't as overdone as it could have been.

Then recently I saw this advertisement for a series on HBO--Dexter. They made this premise a series. Dexter is, by profession, a blood splatter expert working in a police lab--only one ironic twist of his character. I could see how this would easily become a series. As I felt I already knew Dexter better than my next door neighbor, I was sure I'd want to watch the series.

Then I saw the previews. And even knowing what I knew, having read what I read, I found them disturbing. There is something very different between reading about crime and viewing said crime. The previews were based on acts performed in the book--it was depicted accurately from what I could tell. But infinitely more explicit.

Yesterday I saw the new movie, The Departed. Again, very intriguing. Again, very violent.

It all solidified something that I've been struggling with for a while now--graphic violence as entertainment.

How can that possibly be healthy? What does that say about us as individuals, as a society? And, more importantly, how is it shaping the next generation? Deep, disturbing questions with few answers. At least, few positive answers.

With the prevalence of forensic-related television, detective and police shows, violence in the news, increasingly graphic movies, it seems to me we've become desensitized. Because we know more, because we've seen more, it takes more to reach us, move us, jolt us, scare us, give us a thrill.

In other books I've read recently, I've noticed the villains are scarier, colder, bolder, angrier and overall, more screwed up, even more hopelessly screwed up.

You've read the reviews of best-seller suspense. Chilling is the word that comes to mind--and this is touted as a good thing.

Maybe I'm reading in the wrong genre. Worse, maybe I'm writing in the wrong genre.

I don't know.

What I do know is that keeping up a good edge-of-your-seat suspense without all the blood and gore is one hell of a bitch. In my opinion, a story filled with violence is much easier to write. It's plot heavy, characterization light. There has to be just enough characterization to justify actions, but it's that action, that next ambush, that next murder, that next beating that holds the audience's attention.

In lieu of action and violence, you need deep, meaningful characterization. Your cast has to be powerful and flawed, sympathetic and courageous. They have to have big problems, inside and out, and they have to have the tools, or gain the tools, to overcome them. They have to have a lot at stake and those stakes have to continually rise until there is either success or death--not necessary literal death, but a death of some kind, of something invaluable to them.