vampires

Review of A TOUCH OF CRIMSON, Sylvia Day Interview + Giveaway!!

>I’m excited to have Sylvia Day here today! The first book I ever read of Sylvia’s was Pride and Pleasure, her February historical romance release. I was beyond entertained; I was impressed. So much so that I wrote a detailed review of Pride and Pleasure on Savvy Authors. As many of you know, I’m a lover of craft, and was thrilled to find not only how much stellar craft Sylvia utilizes in her writing, but how she manipulates those elements to take her storytelling to the highest level.

I was excited (though not surprised) to find that same level of mastery in A TOUCH OF CRIMSON. Really fabulous books are always more difficult to review, not unlike they are to write. All the elements intertwine and play off each other to weave an intricate tapestry of plot and subplot, emotion and intellect, character and setting. I toyed with the idea of making this a two-part review, but decided to spare you my blathering and hit the high points of what I loved most about A TOUCH OF CRIMSON.

Comment or ask Sylvia a question to enter to win:
1) A copy of A TOUCH OF CRIMSON
2) 1 of 5 custom handmade bookmarks

A TOUCH OF CRIMSONAn angel with immense power and insatiable desire, Adrian Mitchell leads an elite Special Ops unit of the seraphim. His task is to punish the Fallen–angels who have become vampires–and command a restless pack of indentured lycans.

But Adrian has suffered his own punishment for becoming involved with mortals–losing the woman he loves again and again. Now, after nearly two hundred years, he has found her: Shadoe, her soul once more inhabiting a new body that doesn’t remember him. This time he won’t let her go.

With no memory of her past as Shadoe, Lindsay Gibson knows only that she can’t help being fiercely attracted to the smoldering, seductive male who crosses her path. Swept into a dangerous world of tumultuous passion and preternatural conflict, Lindsay is soon caught between her angel lover, her vampire father, and a full-blown lycan revolt. There’s more at stake than her love and her life–she could lose her very soul…

My Review:
A TOUCH OF CRIMSON begins with action and intensity–my favorite way to get things going. Immediately, I recognized the depth and number of characters. As this is the first book in a paranormal series, the ground work must be laid. This is often a difficult task, and in the hands of a lesser writer, would surely confuse, if not lose, readers. But Sylvia creates a world filled with various species, the Sentinels, the Lycan and the Fallen, and rules governing those species’, yet never makes the complex complicated.

This also shows how Sylvia trusts her readers, how she respects their ability to follow her threads, pick up her clues, utilize their intelligence to soak up all the information she’s offering. I respect an author who believes her readers are sophisticated and intelligent and writes to that audience.

With her lyrical prose and fresh description, Sylvia guides the reader expertly through each group’s description, culture, powers and conflicts. She deftly illustrates how each species is both at odds with and in need of the others, outlining a tight web of conflict, all while moving the story forward with action and spicy dialogue.

When you look below at Sylvia’s answer to the question on creating villains, you may understand why I found the villains in A TOUCH OF CRIMSON so gripping. They felt more developed to me than most villains. A familial-type group much like the Sentinals or the Lycans, the Fallen have suffered immensely – the head of the family, a fallen angel, has lost his wings at the hands of Adrian, who himself says it was wrong to take them. And Syre’s son, Torque, who losses his wife at the beginning of the story, again at Adrian’s hands. Their loss and suffering make them sympathetic villains – my favorite kind.

The heroine in A TOUCH OF CRIMSON, Lindsey, is as wounded as the rest of the crew, though you’d never know it with her kick ass attitude. She never backs down, but is driven to hunt by memories of her beloved mother slain by vamps when she was a child. There is something deep inside that tells her she has an obligation to utilize her given abilities to right this tragic wrong, all of which made her very empathetic.

Adrian, the hero, is suffering penance for his history of wrong-doings by losing the love of his life–Shadoe in Lindsey’s body with no memory of Adrian–over and over again. He is fighting her father, the villain, for her love, an age-old conflict that tugs at heartstrings. Each man believes he’s doing the right thing for her, each says he is doing it out of supreme love for her, yet each hold their own private agenda – it’s like a train wreck from which you can’t look away, hoping to see survivors emerge from the wreckage.

The complexity of species and cultures crossing in this novel makes for many unexpected twists and turns during the course of the story. And while the questions for A TOUCH OF CRIMSON are answered within this book, many others remain, dragging the reader’s interest to future books. Numerous well defined secondary characters and intriguing story lines make this first of the series rich in its own right, while priming the reader for the series as a whole, because after reading A TOUCH OF CRIMSON, you won’t be able to stay away from the remainder of the trilogy.

Sylvia’s Interview:
What sparked the idea for this book/series?
Really, the idea was sparked by a combination of an editor and my existing Marked series. The editor sent a note to my agent saying that if I wrote a paranormal romance series with alpha heroes, she wanted to see it. My Marked series is where I’d introduced my Dominion world, which encompasses the entire hierarchy of angels. The Marked series focused on the lowest sphere and I always knew I was going to explore the other spheres and ranks at some point. The editor’s prodding had me thinking along paranormal romance lines and the story of the Watcher angels struck me. Angels who fell from the heavens for lust and love. How could I not write about that? It’s just too awesome. In the end, the editor who prodded me forward with the idea isn’t the editor who won the auction for the series, but I’m grateful to her all the same and always will be. The idea was there in my mind, but she gave me the impetus to get it down on paper now rather than later.

What is your strategy in creating villains?
I’m not sure I have a strategy, but I try to see my villains as complete characters, like my H/h. Unless they’re mental defectives, they’ll have facets of their character that aren’t horrible. They’ll have things they care about, things they’ll fight for. They can cry and feel pain, they have dreams and disappointments. Ideally, I like to understand their motivation—maybe even relate to it—even if their means doesn’t at all justify the end they’re going for.

Tell us something unusual about the creation/execution of this book:
The Renegade Angels series is a trilogy. Now, a trilogy can either be a set of three individual works that are connected by characters and/or theme, or it can be a single work divided into three parts. The latter is what the Renegade Angels series is–one story, divided over three books. That’s been a rocky road to travel, because I have to answer some questions in each book, but not all. Each book features a different couple and their romance, with each couple picking up the baton from the couple before as they all race to the finish. I have to set up each book so that a reader could pick up #2 or #3 and get the gist, but since it took an entire book to tell Act #1 and Act #2, I don’t have the room to rehash what’s already happened in detail. And all three heroes are also antagonists, which means there are shades of heroism and villainy in each one.

What do you love most about this book/series?
The characters are so many shades of gray. They surprise me all the time. And it’s a challenge to write. I’ve never tackled anything with this type of construction before.

Are You A Window Person Or An Aisle Person?
Aisle. I don’t like having to ask someone to get out of my way, because then I’m dependent upon them to be polite and do so. Plus I don’t care what’s out the window; my nose is in a book and I’m not looking anyway.

Are You Afraid Of Heights?
Yes, I am. *shudder*

Comment or ask Sylvia a question to enter to win:
1) A copy of A TOUCH OF CRIMSON
2) 1 of 5 custom handmade bookmarks
International
**MUST** leave a contact email to WIN

Author Bio:
Sylvia Day is the national bestselling, award-winning author of over a dozen novels written across multiple sub-genres — contemporary, fantasy, historical, futuristic, science fiction, romantic suspense, paranormal romance, and urban fantasy — under multiple pen names: three! A wife and mother of two, she is a former Russian linguist for the U.S. Army Military Intelligence.

Sylvia is a lifelong California resident who loves to travel. Her adventures have taken her to Japan, Holland, Germany, France, Mexico, Jamaica, and all over the United States. Born in Los Angeles, she grew up in Orange County (the O.C.), and later lived in Monterey, Oceanside, and the Temecula Valley.

She is a Japanese-American who enjoys the many Japanese cultural events in Southern California as well as frequent family jaunts to Disneyland, Knott’s Berry Farm, and Sea World. Her childhood career aspirations were few — become a dolphin trainer at Sea World or a bestselling novelist. Obviously, the dolphin trainer career took a back seat.

>Review of A TOUCH OF CRIMSON, Sylvia Day Interview + Giveaway!!

>I’m excited to have Sylvia Day here today! The first book I ever read of Sylvia’s was Pride and Pleasure, her February historical romance release. I was beyond entertained; I was impressed. So much so that I wrote a detailed review of Pride and Pleasure on Savvy Authors. As many of you know, I’m a lover of craft, and was thrilled to find not only how much stellar craft Sylvia utilizes in her writing, but how she manipulates those elements to take her storytelling to the highest level.

I was excited (though not surprised) to find that same level of mastery in A TOUCH OF CRIMSON. Really fabulous books are always more difficult to review, not unlike they are to write. All the elements intertwine and play off each other to weave an intricate tapestry of plot and subplot, emotion and intellect, character and setting. I toyed with the idea of making this a two-part review, but decided to spare you my blathering and hit the high points of what I loved most about A TOUCH OF CRIMSON.

Comment or ask Sylvia a question to enter to win:
1) A copy of A TOUCH OF CRIMSON
2) 1 of 5 custom handmade bookmarks

A TOUCH OF CRIMSONAn angel with immense power and insatiable desire, Adrian Mitchell leads an elite Special Ops unit of the seraphim. His task is to punish the Fallen–angels who have become vampires–and command a restless pack of indentured lycans.

But Adrian has suffered his own punishment for becoming involved with mortals–losing the woman he loves again and again. Now, after nearly two hundred years, he has found her: Shadoe, her soul once more inhabiting a new body that doesn’t remember him. This time he won’t let her go.

With no memory of her past as Shadoe, Lindsay Gibson knows only that she can’t help being fiercely attracted to the smoldering, seductive male who crosses her path. Swept into a dangerous world of tumultuous passion and preternatural conflict, Lindsay is soon caught between her angel lover, her vampire father, and a full-blown lycan revolt. There’s more at stake than her love and her life–she could lose her very soul…

My Review:
A TOUCH OF CRIMSON begins with action and intensity–my favorite way to get things going. Immediately, I recognized the depth and number of characters. As this is the first book in a paranormal series, the ground work must be laid. This is often a difficult task, and in the hands of a lesser writer, would surely confuse, if not lose, readers. But Sylvia creates a world filled with various species, the Sentinels, the Lycan and the Fallen, and rules governing those species’, yet never makes the complex complicated.

This also shows how Sylvia trusts her readers, how she respects their ability to follow her threads, pick up her clues, utilize their intelligence to soak up all the information she’s offering. I respect an author who believes her readers are sophisticated and intelligent and writes to that audience.

With her lyrical prose and fresh description, Sylvia guides the reader expertly through each group’s description, culture, powers and conflicts. She deftly illustrates how each species is both at odds with and in need of the others, outlining a tight web of conflict, all while moving the story forward with action and spicy dialogue.

When you look below at Sylvia’s answer to the question on creating villains, you may understand why I found the villains in A TOUCH OF CRIMSON so gripping. They felt more developed to me than most villains. A familial-type group much like the Sentinals or the Lycans, the Fallen have suffered immensely – the head of the family, a fallen angel, has lost his wings at the hands of Adrian, who himself says it was wrong to take them. And Syre’s son, Torque, who losses his wife at the beginning of the story, again at Adrian’s hands. Their loss and suffering make them sympathetic villains – my favorite kind.

The heroine in A TOUCH OF CRIMSON, Lindsey, is as wounded as the rest of the crew, though you’d never know it with her kick ass attitude. She never backs down, but is driven to hunt by memories of her beloved mother slain by vamps when she was a child. There is something deep inside that tells her she has an obligation to utilize her given abilities to right this tragic wrong, all of which made her very empathetic.

Adrian, the hero, is suffering penance for his history of wrong-doings by losing the love of his life–Shadoe in Lindsey’s body with no memory of Adrian–over and over again. He is fighting her father, the villain, for her love, an age-old conflict that tugs at heartstrings. Each man believes he’s doing the right thing for her, each says he is doing it out of supreme love for her, yet each hold their own private agenda – it’s like a train wreck from which you can’t look away, hoping to see survivors emerge from the wreckage.

The complexity of species and cultures crossing in this novel makes for many unexpected twists and turns during the course of the story. And while the questions for A TOUCH OF CRIMSON are answered within this book, many others remain, dragging the reader’s interest to future books. Numerous well defined secondary characters and intriguing story lines make this first of the series rich in its own right, while priming the reader for the series as a whole, because after reading A TOUCH OF CRIMSON, you won’t be able to stay away from the remainder of the trilogy.

Sylvia’s Interview:
What sparked the idea for this book/series?
Really, the idea was sparked by a combination of an editor and my existing Marked series. The editor sent a note to my agent saying that if I wrote a paranormal romance series with alpha heroes, she wanted to see it. My Marked series is where I’d introduced my Dominion world, which encompasses the entire hierarchy of angels. The Marked series focused on the lowest sphere and I always knew I was going to explore the other spheres and ranks at some point. The editor’s prodding had me thinking along paranormal romance lines and the story of the Watcher angels struck me. Angels who fell from the heavens for lust and love. How could I not write about that? It’s just too awesome. In the end, the editor who prodded me forward with the idea isn’t the editor who won the auction for the series, but I’m grateful to her all the same and always will be. The idea was there in my mind, but she gave me the impetus to get it down on paper now rather than later.

What is your strategy in creating villains?
I’m not sure I have a strategy, but I try to see my villains as complete characters, like my H/h. Unless they’re mental defectives, they’ll have facets of their character that aren’t horrible. They’ll have things they care about, things they’ll fight for. They can cry and feel pain, they have dreams and disappointments. Ideally, I like to understand their motivation—maybe even relate to it—even if their means doesn’t at all justify the end they’re going for.

Tell us something unusual about the creation/execution of this book:
The Renegade Angels series is a trilogy. Now, a trilogy can either be a set of three individual works that are connected by characters and/or theme, or it can be a single work divided into three parts. The latter is what the Renegade Angels series is–one story, divided over three books. That’s been a rocky road to travel, because I have to answer some questions in each book, but not all. Each book features a different couple and their romance, with each couple picking up the baton from the couple before as they all race to the finish. I have to set up each book so that a reader could pick up #2 or #3 and get the gist, but since it took an entire book to tell Act #1 and Act #2, I don’t have the room to rehash what’s already happened in detail. And all three heroes are also antagonists, which means there are shades of heroism and villainy in each one.

What do you love most about this book/series?
The characters are so many shades of gray. They surprise me all the time. And it’s a challenge to write. I’ve never tackled anything with this type of construction before.

Are You A Window Person Or An Aisle Person?
Aisle. I don’t like having to ask someone to get out of my way, because then I’m dependent upon them to be polite and do so. Plus I don’t care what’s out the window; my nose is in a book and I’m not looking anyway.

Are You Afraid Of Heights?
Yes, I am. *shudder*

Comment or ask Sylvia a question to enter to win:
1) A copy of A TOUCH OF CRIMSON
2) 1 of 5 custom handmade bookmarks
International
**MUST** leave a contact email to WIN

Author Bio:
Sylvia Day is the national bestselling, award-winning author of over a dozen novels written across multiple sub-genres — contemporary, fantasy, historical, futuristic, science fiction, romantic suspense, paranormal romance, and urban fantasy — under multiple pen names: three! A wife and mother of two, she is a former Russian linguist for the U.S. Army Military Intelligence.

Sylvia is a lifelong California resident who loves to travel. Her adventures have taken her to Japan, Holland, Germany, France, Mexico, Jamaica, and all over the United States. Born in Los Angeles, she grew up in Orange County (the O.C.), and later lived in Monterey, Oceanside, and the Temecula Valley.

She is a Japanese-American who enjoys the many Japanese cultural events in Southern California as well as frequent family jaunts to Disneyland, Knott’s Berry Farm, and Sea World. Her childhood career aspirations were few — become a dolphin trainer at Sea World or a bestselling novelist. Obviously, the dolphin trainer career took a back seat.

Laurie London Talks Writing & Her Latest Release–Embraced By Blood!

>

Laurie London’s EMBRACED BY BLOOD begins with immediate tension and ends with a race to the finish and all that conflict is sparked with sexual tension between the hero, Alfonso, and the heroine, Lily, throughout.

Deep within the forests of the Pacific Northwest, two vampire coalitions battle for supremacy— Guardian enforcers who safeguard humanity, and Darkbloods, rogues who kill like their ancient ancestors.
Alfonso Serrano is a hunted man. For months he’s managed to elude the Darkbloods, vengeful foes who won’t rest until he’s dead. But he still craves one dangerous temptation: Lily DeGraff, the sexy Guardian agent he’ll risk anything to protect.
Lily is a wanted woman. Her talent for tracking Sweet—a rare blood type that’s addictive to vampires—makes her a prime target for enemy capture. Her only hope is the stealthy vampire operative who stole into her bed…then left her in despair. Danger aside, Lily won’t let Alfonso near her heart again—until an irresistible hunger threatens to draw them back together… and into an assassin’s snare.

Several elements give EMBRACED BY BLOOD a freshness that often snags the interest agents and editors. While this is a vampire novel, Laure gives her hero and heroine unique twists. Alfonso and Lily are not just vampires, but Guardians to humans, protecting them against another type of vampire called Darkbloods. DBs don’t just feed on humans for sustenance and leave them alive; DBs hunt humans, drain them of blood and life, and sell that blood on the black market. And the DBs are particularly interested in one rare human blood: Sweet, a type which all vampires crave, but one which is addictive.

I immediately saw the multi-layered distinctiveness of this characterization: 1) Vampires protecting humans. 2) Vampires protecting humans against other vampires. 3) A Civil war of sorts, vampire against vampire, a fight which is based more on principle than on the human element. 4) Alfonso and Lily aren’t just trying to hide from human detection, but also hiding from Darkblood detection.

I was immediately intrigued by the premise of a vampire blood which is addictive. It struck me like methamphetamine for humans. A very fresh concept.

Q: Laurie, you’ve designed intricate conflict into your plot with the complication of vampire against vampire. Do you plot your conflict or does it grow naturally as you write?

A: A little of both, actually. The over-arching conflict is planned out ahead of time and I usually know the villain’s immediate goals, but some of the finer nuances of the inner conflict between the hero and heroine come as I’m writing the first draft. I expand on it when I go back and revise.

Q: The idea of Sweet, a type of human blood that is addictive to vampires reminds me of how prevalent and addictive methamphetamine is in our present society and what length people will go to the get it. Where did that idea come from?

A: As I wrote the first scene of the first book, Bonded by Blood, I was trying to figure out why Dom, the hero, would attack Mackenzie. He was one of the good guys and I knew he didn’t want to, that it was against his beliefs, but he was overwhelmed by his baser instincts. As I dug deeper, I knew it had something to do with her blood. This formed the basis for the whole series, where Darkbloods, the bad guys, sell this addictive blood on the vampire black market.

Q: The sexual tension between Lily and Alfonso is strong and immediate. The conflict their relationship history and their attraction add to the story is palpable. I’m a sucker for reunion stories, but they are fraught with emotion and difficult to manage within a complicated plot, and you do it seamlessly. Do you find this added element more challenging to write or does it flow with your plot as the other conflicts do?

A: Thank you! The chronology was very tricky for me to write. Some of the timing and framework of their relationship was set in book one and I had to work within those boundaries. I had calendars and spreadsheets of major events, when and where they took place in book one as well as in their backstories. Because I only loosely plot the stories ahead of time, when I was struck with an idea, I had to ask myself if it was even possible given what we already knew had happened.

Q: I believe paranormal writers choose nether creatures who appeal to them in some way. Why do you write about vampires?

A: Ever since my sister and I saw the old movie Fright Night eight times in a row in the theater, I was hooked on vampires. Shortly afterwards, my aunt gave me an old, beat up copy of An Interview with a Vampire. It’s that deadly mystique that haunts me. He’s that guy you should stay away from but you just can’t.

Q: Every book has something unusual in its history—the origin of an idea, a particular character who keeps trying to take over, a villain who didn’t turn out to be the villain afterall. What is most unusual or memorable about EMBRACED BY BLOOD?

A: I had planned to kill off Alfonso, the hero in Embraced, when he showed up briefly in Bonded. Thankfully, he wouldn’t let me do that.

Q: In what setting do most of your ideas and/or resolutions to problems come? For example, Elisabeth Naughton get a lot of “a-ha” moments in the shower or bath. I get mine while I’m driving. Is there a location or activity where you are most enlightened?

A: I’m with Elisabeth! There’s something about the movement and sound of water and the feel of it against my skin that gets my ideas flowing. Thank goodness we live on a well, otherwise our water bills would be really expensive!

Q: Your setting in EMBRACED BY BLOOD is very well done, a solid modern world where vampire live and roam and fight. World building is one of my greatest challenges. How do you approach your world building for paranormal romances?

A: As a reader, I’m drawn to paranormal worlds that take place in our contemporary world, that exist in secret, just beyond our knowledge. Not only do I enjoy it better as an author because many of the constructs are already in place for me (like writing a historical romance set in Regency England), but as a reader, I like to feel as if I’m a character in the book. If the story is set in a city or world that’s familiar to me, it makes it easier to suspend my disbelief and step into that character. For a brief, brief moment, I did consider making the world open, where humans knew about the existence of vampires, but this went against some of the reasons I find the sub-genre so fascinating as a reader, so I squelched that idea quickly.

Q: Zoe, Lily’s daughter, is a charming surprise in EMBRACED BY BLOOD. I personally enjoy writing and reading children in novels as long as they play a part in the story’s conflict and/or enrich main characters, which Zoe does well. How do you feel about children in romance fiction?

A: I actually don’t like reading romances with children, if you can imagine that. I just don’t find those kinds of stories all that sexy. Heartwarming? Yes. But sexy? No. If things are heating up on the page, I’m always worried where the kids are. The next room? Upstairs? Will they sneak in and spoil the moment? Maybe because that is too much like my real life, I don’t like reading about it. LOL But this was Lily’s story and she came onto the pages as a single mother. I couldn’t NOT write her story because of that. I tried to handle it in such a way that this wasn’t an issue. Zoe was never under the same roof when Lily and Alfonso got romantic, so I, the reader and the author, could relax.

Q: What are you working on now?

A: I just finished page proofs for the Sweetblood story I wrote in the anthology A VAMPIRE FOR CHRISTMAS, which comes out in October. And I’m also working on Tempted By Blood, Jackson’s story, which will be out early next year.

Fantastic interview, Laurie!! Thanks so much for coming and sharing your process and
Lily and Alfonso with us!



Be sure to leave a comment or ask Laurie a question to be entered
to win:

1 copy of EMBRACED BY BLOOD
1 copy of BONDED BY BLOOD
1 of 5 custom handmade bookmarks
**Books US/Canada only; Bookmarks International**
**MUST leave a contact email to be eligible to win!**

A graduate of Western Washington University with a BA in Business Administration and a former tester/programmer for a Fortune 500 company, Laurie London now writes from her home near Seattle where she lives with her husband and two children.

BONDED BY BLOOD, A Sweetblood Novel comes out February 2011 from HQN. EMBRACED BY BLOOD, the second book in the series, is coming July 2011.

You can find Laurie:
Website
Facebook
Blog
Twitter

>Laurie London Talks Writing & Her Latest Release–Embraced By Blood!

>

Laurie London’s EMBRACED BY BLOOD begins with immediate tension and ends with a race to the finish and all that conflict is sparked with sexual tension between the hero, Alfonso, and the heroine, Lily, throughout.

Deep within the forests of the Pacific Northwest, two vampire coalitions battle for supremacy— Guardian enforcers who safeguard humanity, and Darkbloods, rogues who kill like their ancient ancestors.
Alfonso Serrano is a hunted man. For months he’s managed to elude the Darkbloods, vengeful foes who won’t rest until he’s dead. But he still craves one dangerous temptation: Lily DeGraff, the sexy Guardian agent he’ll risk anything to protect.
Lily is a wanted woman. Her talent for tracking Sweet—a rare blood type that’s addictive to vampires—makes her a prime target for enemy capture. Her only hope is the stealthy vampire operative who stole into her bed…then left her in despair. Danger aside, Lily won’t let Alfonso near her heart again—until an irresistible hunger threatens to draw them back together… and into an assassin’s snare.

Several elements give EMBRACED BY BLOOD a freshness that often snags the interest agents and editors. While this is a vampire novel, Laure gives her hero and heroine unique twists. Alfonso and Lily are not just vampires, but Guardians to humans, protecting them against another type of vampire called Darkbloods. DBs don’t just feed on humans for sustenance and leave them alive; DBs hunt humans, drain them of blood and life, and sell that blood on the black market. And the DBs are particularly interested in one rare human blood: Sweet, a type which all vampires crave, but one which is addictive.

I immediately saw the multi-layered distinctiveness of this characterization: 1) Vampires protecting humans. 2) Vampires protecting humans against other vampires. 3) A Civil war of sorts, vampire against vampire, a fight which is based more on principle than on the human element. 4) Alfonso and Lily aren’t just trying to hide from human detection, but also hiding from Darkblood detection.

I was immediately intrigued by the premise of a vampire blood which is addictive. It struck me like methamphetamine for humans. A very fresh concept.

Q: Laurie, you’ve designed intricate conflict into your plot with the complication of vampire against vampire. Do you plot your conflict or does it grow naturally as you write?

A: A little of both, actually. The over-arching conflict is planned out ahead of time and I usually know the villain’s immediate goals, but some of the finer nuances of the inner conflict between the hero and heroine come as I’m writing the first draft. I expand on it when I go back and revise.

Q: The idea of Sweet, a type of human blood that is addictive to vampires reminds me of how prevalent and addictive methamphetamine is in our present society and what length people will go to the get it. Where did that idea come from?

A: As I wrote the first scene of the first book, Bonded by Blood, I was trying to figure out why Dom, the hero, would attack Mackenzie. He was one of the good guys and I knew he didn’t want to, that it was against his beliefs, but he was overwhelmed by his baser instincts. As I dug deeper, I knew it had something to do with her blood. This formed the basis for the whole series, where Darkbloods, the bad guys, sell this addictive blood on the vampire black market.

Q: The sexual tension between Lily and Alfonso is strong and immediate. The conflict their relationship history and their attraction add to the story is palpable. I’m a sucker for reunion stories, but they are fraught with emotion and difficult to manage within a complicated plot, and you do it seamlessly. Do you find this added element more challenging to write or does it flow with your plot as the other conflicts do?

A: Thank you! The chronology was very tricky for me to write. Some of the timing and framework of their relationship was set in book one and I had to work within those boundaries. I had calendars and spreadsheets of major events, when and where they took place in book one as well as in their backstories. Because I only loosely plot the stories ahead of time, when I was struck with an idea, I had to ask myself if it was even possible given what we already knew had happened.

Q: I believe paranormal writers choose nether creatures who appeal to them in some way. Why do you write about vampires?

A: Ever since my sister and I saw the old movie Fright Night eight times in a row in the theater, I was hooked on vampires. Shortly afterwards, my aunt gave me an old, beat up copy of An Interview with a Vampire. It’s that deadly mystique that haunts me. He’s that guy you should stay away from but you just can’t.

Q: Every book has something unusual in its history—the origin of an idea, a particular character who keeps trying to take over, a villain who didn’t turn out to be the villain afterall. What is most unusual or memorable about EMBRACED BY BLOOD?

A: I had planned to kill off Alfonso, the hero in Embraced, when he showed up briefly in Bonded. Thankfully, he wouldn’t let me do that.

Q: In what setting do most of your ideas and/or resolutions to problems come? For example, Elisabeth Naughton get a lot of “a-ha” moments in the shower or bath. I get mine while I’m driving. Is there a location or activity where you are most enlightened?

A: I’m with Elisabeth! There’s something about the movement and sound of water and the feel of it against my skin that gets my ideas flowing. Thank goodness we live on a well, otherwise our water bills would be really expensive!

Q: Your setting in EMBRACED BY BLOOD is very well done, a solid modern world where vampire live and roam and fight. World building is one of my greatest challenges. How do you approach your world building for paranormal romances?

A: As a reader, I’m drawn to paranormal worlds that take place in our contemporary world, that exist in secret, just beyond our knowledge. Not only do I enjoy it better as an author because many of the constructs are already in place for me (like writing a historical romance set in Regency England), but as a reader, I like to feel as if I’m a character in the book. If the story is set in a city or world that’s familiar to me, it makes it easier to suspend my disbelief and step into that character. For a brief, brief moment, I did consider making the world open, where humans knew about the existence of vampires, but this went against some of the reasons I find the sub-genre so fascinating as a reader, so I squelched that idea quickly.

Q: Zoe, Lily’s daughter, is a charming surprise in EMBRACED BY BLOOD. I personally enjoy writing and reading children in novels as long as they play a part in the story’s conflict and/or enrich main characters, which Zoe does well. How do you feel about children in romance fiction?

A: I actually don’t like reading romances with children, if you can imagine that. I just don’t find those kinds of stories all that sexy. Heartwarming? Yes. But sexy? No. If things are heating up on the page, I’m always worried where the kids are. The next room? Upstairs? Will they sneak in and spoil the moment? Maybe because that is too much like my real life, I don’t like reading about it. LOL But this was Lily’s story and she came onto the pages as a single mother. I couldn’t NOT write her story because of that. I tried to handle it in such a way that this wasn’t an issue. Zoe was never under the same roof when Lily and Alfonso got romantic, so I, the reader and the author, could relax.

Q: What are you working on now?

A: I just finished page proofs for the Sweetblood story I wrote in the anthology A VAMPIRE FOR CHRISTMAS, which comes out in October. And I’m also working on Tempted By Blood, Jackson’s story, which will be out early next year.

Fantastic interview, Laurie!! Thanks so much for coming and sharing your process and
Lily and Alfonso with us!



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A graduate of Western Washington University with a BA in Business Administration and a former tester/programmer for a Fortune 500 company, Laurie London now writes from her home near Seattle where she lives with her husband and two children.

BONDED BY BLOOD, A Sweetblood Novel comes out February 2011 from HQN. EMBRACED BY BLOOD, the second book in the series, is coming July 2011.

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